Lily builds mazes in her dreams. When she’s awake, she draws them with colouring pencils on sheets of loose-leaf paper.
Her parents pay little attention to their child’s strange hobby until they notice rooms and passageways appearing in their house that weren’t there before. Her mother finds a door behind the washing machine that leads to a dark, never-ending corridor. When Lily’s father goes down to the basement, there are twice as many steps as usual and they lead into the back garden.
Her father finds a sheaf of drawings tucked in one of Lily’s colouring books and connects the dots. He’s unnerved, but Lily is a well-mannered girl otherwise, so he gently asks her to keep her mazes to paper only and leave real buildings alone. She’s going to hurt someone, he warns. Lily agrees and continues to draw her labyrinths in private, creating new rooms with trapdoors and hidden entrances.
When Lily is thirteen, a middle-aged man sees her walk home from school from the doorway of a run-down pizza parlour. He follows several paces behind her, watching with delight at the way her body sways with every step.
Lily takes a left into an alleyway the man’s never seen before. She then takes a right through a door that materializes in the brickwork. She jogs down a flight of stairs that appear before her and lead into an underground tunnel. The man pays no attention to these anomalies, so absorbed is he in his pursuit. He follows Lily as closely as he can but he’s soon out of breath as it becomes harder to keep up with her. Lily turns another corner and disappears from view.
“What on earth…?” the man says as he comes face to face with a dead end and no one else in sight.
And then the walls close in on him.
SOPHIE GAZARIAN is an emerging writer from Montreal. She holds a BA in Creative Writing from Concordia University and an MA in Library and Information Science from McGill. She is a member of the Quebec Writers’ Federation.